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No Face No Case Opening Reception
No Face No Case critiques our industrialized civilization while examining personal identity by way of large scale paintings depicting stylized machinery, architecture and beastly forms. McRibb’s attention to movement, line work and striking composition is deeply influenced by block-style graffiti, 1920’s Mexican murals, M.C. Escher’s optical illusions, and Renaissance frescoes. The viewer can expect to see a collection of 18 paintings with sizes up to 12 x 10 feet large.
No Face No Case captures a historical snapshot of McRibb’s inspirations as he employs a limited palette to each piece. The compositions are undeniably intense, infused with allegory and pattern repetition that seamlessly forms depth while also embracing portions of flatness. This collection of work goes beyond what might be considered pastiche by incorporating a faux identity, leading the viewer to experience the art without the context of the artist’s personal qualities. So who is OG McRibb? You’ll have to see for yourself.
