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Randy Rogers Band


Few relationships in life are more complicated than those among band members. That bond forms the foundation for the new music on their latest album Hellbent, a high-octane collection of songs buoyed by the same fearless spirit and sense of camaraderie that has made them one of country’s most compelling bands. In a business where bands come and go and membership is often a revolving door, the Randy Rogers Band has been together for more than 17 years. “Just like any other relationship, you have to pick your battles and have respect for each other,” Rogers says. “None of us know how to do anything else. This is our livelihood. It’s how we take care of our families. Years ago when we were really struggling and wondering how we were going to make it, there were some deep and emotional conversations that we all had with each other about if this is really what we all wanted and the decision was made a long time ago. The answer was yes then and the answer is still yes now. It’s something we all believe in. This is our life’s work.” The culmination of their musical journey thus far can be heard on Hellbent. “Creatively we all bring something different to the table and you can hear it in the records,” Rogers says. “You can hear people’s personalities in the records.” It’s that blend of unique personalities that have fueled the Randy Rogers Band’s success for nearly two decades. “Our bass player, Johnny Chops, has this way of writing. It’s a little old school, a little Waylon-esque if you will. His lyrics aren’t necessarily anything like mine. They are a little bit more vague and more interpretive,” Rogers says, bragging on his bandmate. “What Brady Black adds to our makeup is his sensibility on stage, his appearance, his energy, his unique way that he plays the fiddle. He’s a crowd pleaser.” “Les Lawless, our drummer, has played on hundreds of albums with many different artists. He’s kind of the human metronome. He’s a solid drummer. I can’t recall a mistake he’s ever made on stage. He’s just a rock. Geoffrey Hill [guitar, vocals] is a very talented musician. He’s a great singer, a great harmony singer. Most of our sound as a band is because of Geoffrey and his unique vocals and the way he blends his vocals with my vocals.” Of course, the lineup wouldn’t be complete without longtime member Todd Stewart. “There isn’t an instrument that Todd can’t play and he sings well,” Rogers enthuses. “Onstage he’s playing guitar on one song, mandolin on the next one, fiddle on the next one and a piano on the next one and a B3 on the next one. He’s a key part of our band because he fills up all those spots musically that no one else can do like him. It’s fascinating to watch him switch between every song.” That dynamic musical chemistry has taken the Randy Rogers Band beyond the competitive music scene in their native Texas to build a national fan base with sold out shows across the country. The band has become skilled at capturing that live energy and passion on their albums and Hellbent is a perfect example. “We’ve been through this process long enough to know that we wanted this record to be perfect and complete so we kept writing and went back in and we recorded again,” Rogers reveals. “It is important, especially in today’s day and age, not to put out content just for the sake of content. People see through that and it’s a big mistake young artists make just to put a video or a new song out just to have something to talk about. There is a lost art to making an entire album, being a cohesive unit and have it be something that you can stand up and play. We have to record songs we can play live. Ninety nine percent of the income we share is because we’re playing a show, so those songs can’t be throwaway songs.” The first single, “Crazy People,” is a relatable tune that paints a picture of strict parents that weren’t always so straight-laced. “I did not write that song, however, I did live that song, and that’s why I cut it,” Rogers says with a chuckle. “When I heard it, I could imagine that my parents weren’t always fanatically religious. As a young kid, I definitely wasn’t comfortable around neon signs or around restaurants where they were serving alcohol. I just thought that was something very, very bad and that’s what was instilled in my head. It was very, very much a sin, so I was a little freaked out when I was a kid. It’s nothing against my parents. Both me and my brother turned out just fine, but I just think there was this sense of over protection and security and a lot of that was based around the church. So the first thing I did when I turned 16 was tried everything.”

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