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  • Echoes of Russian Ballet

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    Echoes of Russian Ballet

    Friday, April 15, 2016

    8:00 PM - 10:00 PM

    8:00 PM - 10:00 PM See all dates and Times

    State Theatre New Jersey

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    http://www.statetheatrenj.org/tickets/calendar/view.aspx?id=7407&viewzones=true

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    04/15/2016 08:00 PM 04/15/2016 10:00 PM America/Anguilla Echoes of Russian Ballet With Echoes of Russian Ballet, American Repertory Ballet presents an evening of ballets inspired by infamous, revolutionary works that the legendary Ballets Russes brought to America in the early 20th century. The ambitious program features: Artistic Director Douglas Martin's Firebird, set to a compelling score by Stravinsky, Martin's Rite of Spring, also set to music by Stravinsky, and Kirk Peterson's Afternoon of a Faun (L'après-midi d'un faune), set to Debussy's provocative score. Patrick Kennedy of Broadway World described the program as "a revisitation of the balletic past that was taut, nimble, and modern"? and by Jerry Hochman of CriticalDance as "visual dynamite."? This performance r... Details & Tickets: https://www.upcomingevents.com/new-york-city/events/state-theatre-new-jersey/echoes-of-russian-ballet-25593?ref=uceaddevent State Theatre New Jersey, 15 Livingston Ave, New Brunswick, NJ, 08901

    Event Tag

    Dancing, Live Entertainment, Live Performance, Theater / Play

    Categories

    Concerts, Festivals, Performing Arts

    Neighborhoods

    Society Hill (Piscataway Township)

    With Echoes of Russian Ballet, American Repertory Ballet presents an evening of ballets inspired by infamous, revolutionary works that the legendary Ballets Russes brought to America in the early 20th century. The ambitious program features: Artistic Director Douglas Martin's Firebird, set to a compelling score by Stravinsky, Martin's Rite of Spring, also set to music by Stravinsky, and Kirk Peterson's Afternoon of a Faun (L'après-midi d'un faune), set to Debussy's provocative score. Patrick Kennedy of Broadway World described the program as "a revisitation of the balletic past that was taut, nimble, and modern"? and by Jerry Hochman of CriticalDance as "visual dynamite."? This performance recommended for ages 13 and up due to limited mature themes.

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